The use of copyrighted works to train generative AI models, such as Meta's LLaMA, is raising concerns about copyright infringement and transparency, with potential legal consequences and a looming "day of reckoning" for the datasets used.
Three artists, including concept artist Karla Ortiz, are suing AI art generators Stability AI, Midjourney, and DeviantArt for using their work to train generative AI systems without their consent, in a case that could test the boundaries of copyright law and impact the way AI systems are built. The artists argue that feeding copyrighted works into AI systems constitutes intellectual property theft, while AI companies claim fair use protection. The outcome could determine the legality of training large language models on copyrighted material.
Authors such as Zadie Smith, Stephen King, Rachel Cusk, and Elena Ferrante have discovered that their pirated works were used to train artificial intelligence tools by companies including Meta and Bloomberg, leading to concerns about copyright infringement and control of the technology.
The Alliance of Motion Picture and Television Producers has proposed guidelines for the usage of artificial intelligence (AI) and data transparency in the entertainment industry, stating that AI-created material cannot be considered literary or intellectually protected, and ensuring that credit, rights, and compensation for AI-generated scripts are given to the original human writer or reworker.
Hollywood studios are considering the use of generative AI tools, such as ChatGPT, to assist in screenwriting, but concerns remain regarding copyright protection for works solely created by AI, as they currently are not copyrightable.
Major media organizations are calling for new laws to protect their content from being used by AI tools without permission, expressing concerns over unauthorized scraping and the potential for AI to produce false or biased information.
Several music stars, including Selena Gomez, Ed Sheeran, Drake, Lil Wayne, Liam Gallagher, and Grimes, have shared their thoughts on artificial intelligence (AI) and its impact on the music industry, expressing concerns about job security, safety, and copyright protection, while others have shown support or interest in collaborating with AI-generated music.
A federal judge rejected an inventor's attempt to copyright an artwork generated by artificial intelligence, sparking a broader legal discussion on authorship and intellectual property rights.
Artificial intelligence (AI) poses risks in the legal industry, including ethical dilemmas, reputational damage, and discrimination, according to legal technology experts. Instances of AI-generated content without proper human oversight could compromise the quality of legal representation and raise concerns about professional responsibility. Additionally, the Equal Employment Opportunity Commission (EEOC) recently settled a lawsuit involving discriminatory use of AI in the workplace, highlighting the potential for AI to discriminate. Maintaining trust and credibility is crucial in the reputation-reliant field of law, and disseminating AI-generated content without scrutiny may lead to reputational damage and legal consequences for lawyers or law firms. Other legal cases involving AI include allegations of copyright infringement.
Artificial intelligence (A.I.) may not pose a significant threat to human creativity or intellectual property, as machines still struggle to produce groundbreaking artistic work and are often limited to mimicry rather than true artistic expression.
A U.S. District Court judge has ruled that images created by artificial intelligence cannot receive copyright, only those made by humans are eligible.
The combination of AI and blockchain can revolutionize the music industry by enhancing creative capabilities and ensuring transparency in revenue distribution while addressing ethical and legal concerns associated with AI-generated content.
A Washington D.C. judge has ruled that AI-generated art should not be awarded copyright protections since no humans played a central role in its creation, establishing a precedent that art should require human authorship; YouTube has partnered with Universal Music Group to launch an AI music incubator to protect artists from unauthorized use of their content; Meta has introduced an automated translator that works for multiple languages, but concerns have been raised regarding the impact it may have on individuals who wish to learn multiple languages; major studios are hiring "AI specialists" amidst a writers' strike, potentially leading to a future of automated entertainment that may not meet audience expectations.
Artificial intelligence (AI) is seen as a tool that can inspire and collaborate with human creatives in the movie and TV industry, but concerns remain about copyright and ethical issues, according to Greg Harrison, chief creative officer at MOCEAN. Although AI has potential for visual brainstorming and automation of non-creative tasks, it should be used cautiously and in a way that values human creativity and culture.
The United States Copyright Office has issued a notice of inquiry seeking public comment on copyright and artificial intelligence (AI), specifically on issues related to the content AI produces and how it should be treated when it imitates or mimics human artists.
“A Recent Entrance to Paradise” is a pixelated artwork created by an artificial intelligence called DABUS in 2012. However, its inventor, Stephen Thaler, has been denied copyright for the work by a judge in the US. This decision has sparked a series of legal battles in different countries, as Thaler believes that DABUS, his AI system, is sentient and should be recognized as an inventor. These lawsuits raise important questions about intellectual property and the rights of AI systems. While Thaler's main supporter argues that machine inventions should be protected to encourage social good, Thaler himself sees these cases as a way to raise awareness about the existence of a new species. The debate revolves around whether AI systems can be considered creators and should be granted copyright and patent rights. Some argue that copyright requires human authorship, while others believe that intellectual property rights should be granted regardless of the involvement of a human inventor or author. The outcome of these legal battles could have significant implications for the future of AI-generated content and the definition of authorship.
UK publishers have called on the prime minister to protect authors' intellectual property rights in relation to artificial intelligence systems, as OpenAI argues that authors suing them for using their work to train AI systems have misconceived the scope of US copyright law.
AI researcher Stephen Thaler argues that his AI creation, DABUS, should be able to hold copyright for its creations, but legal experts and courts have rejected the idea, stating that copyright requires human authorship.
AI is a topic of concern and fascination within the music industry, as musicians and composers grapple with the potential benefits and threats it poses to their work, with tools already available that enable the creation of professional-sounding original compositions, but with debates surrounding the authenticity and copyright of AI-generated music.
The creator of an AI-generated artwork is unable to copyright it, as the US Copyright Office states that human authorship is necessary for copyright, which could have implications for the popularity of AI art generators.
Meta is being sued by authors who claim that their copyrighted works were used without consent to train the company's Llama AI language tool.
The revised version of the Protect Working Musicians Act would enable independent musicians to collectively bargain with artificial intelligence developers for fairer rates and terms for the use of their music.
High-profile songwriters are meeting with Congressmen to advocate for legislation protecting musicians' copyrights in the face of the rapid rise of artificial intelligence (AI) in the music industry. The industry wants clear legislation that requires permission from copyright holders to use pre-existing songs to train AI for generating new music.
