YouTube's CEO, Neal Mohan, announced that they will be embracing AI responsibly with their music partners, working on an AI framework to protect artists' copyrights and enhance creative expression, and introducing YouTube's Music AI Incubator to collaborate with talented artists.
A federal judge has ruled that works created by artificial intelligence (A.I.) are not covered by copyrights, stating that copyright law is designed to incentivize human creativity, not non-human actors. This ruling has implications for the future role of A.I. in the music industry and the monetization of works created by A.I. tools.
The Alliance of Motion Picture and Television Producers has proposed guidelines for the usage of artificial intelligence (AI) and data transparency in the entertainment industry, stating that AI-created material cannot be considered literary or intellectually protected, and ensuring that credit, rights, and compensation for AI-generated scripts are given to the original human writer or reworker.
Several music stars, including Selena Gomez, Ed Sheeran, Drake, Lil Wayne, Liam Gallagher, and Grimes, have shared their thoughts on artificial intelligence (AI) and its impact on the music industry, expressing concerns about job security, safety, and copyright protection, while others have shown support or interest in collaborating with AI-generated music.
The use of copyrighted material to train generative AI tools is leading to a clash between content creators and AI companies, with lawsuits being filed over alleged copyright infringement and violations of fair use. The outcome of these legal battles could have significant implications for innovation and society as a whole.
A Washington D.C. judge has ruled that AI-generated art should not be awarded copyright protections since no humans played a central role in its creation, establishing a precedent that art should require human authorship; YouTube has partnered with Universal Music Group to launch an AI music incubator to protect artists from unauthorized use of their content; Meta has introduced an automated translator that works for multiple languages, but concerns have been raised regarding the impact it may have on individuals who wish to learn multiple languages; major studios are hiring "AI specialists" amidst a writers' strike, potentially leading to a future of automated entertainment that may not meet audience expectations.
Artificial intelligence (AI) is seen as a tool that can inspire and collaborate with human creatives in the movie and TV industry, but concerns remain about copyright and ethical issues, according to Greg Harrison, chief creative officer at MOCEAN. Although AI has potential for visual brainstorming and automation of non-creative tasks, it should be used cautiously and in a way that values human creativity and culture.
Artificial intelligence (AI) tools can put human rights at risk, as highlighted by researchers from Amnesty International on the Me, Myself, and AI podcast, who discuss scenarios in which AI is used to track activists and make automated decisions that can lead to discrimination and inequality, emphasizing the need for human intervention and changes in public policy to address these issues.
The US Copyright Office has initiated a public comment period to explore the intersection of AI technology and copyright laws, including issues related to copyrighted materials used to train AI models, copyright protection for AI-generated content, liability for infringement, and the impact of AI mimicking human voices or styles. Comments can be submitted until November 15.
The UK government has been urged to introduce new legislation to regulate artificial intelligence (AI) in order to keep up with the European Union (EU) and the United States, as the EU advances with the AI Act and US policymakers publish frameworks for AI regulations. The government's current regulatory approach risks lagging behind the fast pace of AI development, according to a report by the science, innovation, and technology committee. The report highlights 12 governance challenges, including bias in AI systems and the production of deepfake material, that need to be addressed in order to guide the upcoming global AI safety summit at Bletchley Park.
UK's plan to lead in AI regulation is at risk of being overtaken by the EU unless a new law is introduced in November, warns the Commons Technology Committee, highlighting the need for legislation to avoid being left behind.
“A Recent Entrance to Paradise” is a pixelated artwork created by an artificial intelligence called DABUS in 2012. However, its inventor, Stephen Thaler, has been denied copyright for the work by a judge in the US. This decision has sparked a series of legal battles in different countries, as Thaler believes that DABUS, his AI system, is sentient and should be recognized as an inventor. These lawsuits raise important questions about intellectual property and the rights of AI systems. While Thaler's main supporter argues that machine inventions should be protected to encourage social good, Thaler himself sees these cases as a way to raise awareness about the existence of a new species. The debate revolves around whether AI systems can be considered creators and should be granted copyright and patent rights. Some argue that copyright requires human authorship, while others believe that intellectual property rights should be granted regardless of the involvement of a human inventor or author. The outcome of these legal battles could have significant implications for the future of AI-generated content and the definition of authorship.
UK publishers have called on the prime minister to protect authors' intellectual property rights in relation to artificial intelligence systems, as OpenAI argues that authors suing them for using their work to train AI systems have misconceived the scope of US copyright law.
United Kingdom MPs have recommended that the government collaborate with democratic allies to address the potential misuse of AI and establish guidelines for its regulation and industry development.
AI is a topic of concern and fascination within the music industry, as musicians and composers grapple with the potential benefits and threats it poses to their work, with tools already available that enable the creation of professional-sounding original compositions, but with debates surrounding the authenticity and copyright of AI-generated music.
Senators Richard Blumenthal and Josh Hawley are holding a hearing to discuss legislation on regulating artificial intelligence (AI), with a focus on protecting against potential dangers posed by AI and improving transparency and public trust in AI companies. The bipartisan legislation framework includes creating an independent oversight body, clarifying legal liability for AI harms, and requiring companies to disclose when users are interacting with AI models or systems. The hearing comes ahead of a major AI Insight Forum, where top tech executives will provide insights to all 100 senators.
The UK government is showing increased concern about the potential risks of artificial intelligence (AI) and the influence of the "Effective Altruism" (EA) movement, which warns of the existential dangers of super-intelligent AI and advocates for long-term policy planning; critics argue that the focus on future risks distracts from the real ethical challenges of AI in the present and raises concerns of regulatory capture by vested interests.
A bipartisan group of senators is expected to introduce legislation to create a government agency to regulate AI and require AI models to obtain a license before deployment, a move that some leading technology companies have supported; however, critics argue that licensing regimes and a new AI regulator could hinder innovation and concentrate power among existing players, similar to the undesirable economic consequences seen in Europe.
The revised version of the Protect Working Musicians Act would enable independent musicians to collectively bargain with artificial intelligence developers for fairer rates and terms for the use of their music.
High-profile songwriters are meeting with Congressmen to advocate for legislation protecting musicians' copyrights in the face of the rapid rise of artificial intelligence (AI) in the music industry. The industry wants clear legislation that requires permission from copyright holders to use pre-existing songs to train AI for generating new music.
ASCAP President and Chairman Paul Williams outlines six guiding principles for protecting the rights of songwriters in the face of artificial intelligence (AI) and other emerging technologies.
YouTube's head of music, Lyor Cohen, expressed his enthusiasm for artificial intelligence (AI) at the Made on YouTube event, stating that AI tools can open up a new playground for creativity and usher in a new era of musical creativity. Warner Music Group CEO, Robert Kyncl, proposed a path forward where AI enthusiasts can benefit from the technology while artists who are wary of it are protected. YouTube is also developing AI-powered tools for creators, such as Dream Screen and a search function that acts like a music concierge.
The UK's deputy prime minister, Oliver Dowden, will use a speech at the UN general assembly to warn that artificial intelligence is developing too fast for regulation, and will call on other countries to collaborate in creating an international regulatory system to address the potential threats posed by AI technology.
