The use of copyrighted works to train generative AI models, such as Meta's LLaMA, is raising concerns about copyright infringement and transparency, with potential legal consequences and a looming "day of reckoning" for the datasets used.
A federal judge ruled that AI-generated art is not eligible for copyright protection in the US due to the absence of human authorship.
Generative AI is starting to impact the animation and visual effects industry, with companies like Base Media exploring its potentials, but concerns about job security and copyright infringement remain.
Authors such as Zadie Smith, Stephen King, Rachel Cusk, and Elena Ferrante have discovered that their pirated works were used to train artificial intelligence tools by companies including Meta and Bloomberg, leading to concerns about copyright infringement and control of the technology.
The Alliance of Motion Picture and Television Producers has proposed guidelines for the usage of artificial intelligence (AI) and data transparency in the entertainment industry, stating that AI-created material cannot be considered literary or intellectually protected, and ensuring that credit, rights, and compensation for AI-generated scripts are given to the original human writer or reworker.
Hollywood studios are considering the use of generative AI tools, such as ChatGPT, to assist in screenwriting, but concerns remain regarding copyright protection for works solely created by AI, as they currently are not copyrightable.
Major media organizations are calling for new laws to protect their content from being used by AI tools without permission, expressing concerns over unauthorized scraping and the potential for AI to produce false or biased information.
A federal judge rejected an inventor's attempt to copyright an artwork generated by artificial intelligence, sparking a broader legal discussion on authorship and intellectual property rights.
Artificial intelligence (AI) poses risks in the legal industry, including ethical dilemmas, reputational damage, and discrimination, according to legal technology experts. Instances of AI-generated content without proper human oversight could compromise the quality of legal representation and raise concerns about professional responsibility. Additionally, the Equal Employment Opportunity Commission (EEOC) recently settled a lawsuit involving discriminatory use of AI in the workplace, highlighting the potential for AI to discriminate. Maintaining trust and credibility is crucial in the reputation-reliant field of law, and disseminating AI-generated content without scrutiny may lead to reputational damage and legal consequences for lawyers or law firms. Other legal cases involving AI include allegations of copyright infringement.
Artificial intelligence (A.I.) may not pose a significant threat to human creativity or intellectual property, as machines still struggle to produce groundbreaking artistic work and are often limited to mimicry rather than true artistic expression.
Revolution Software's use of custom-made AI tools to upscale old pixel artwork for Broken Sword: Shadow of the Templars - Reforged is defended by co-creator Charles Cecil, who believes that AI eliminates repetitive tasks, allowing human artists to unleash their creativity.
A Washington D.C. judge has ruled that AI-generated art should not be awarded copyright protections since no humans played a central role in its creation, establishing a precedent that art should require human authorship; YouTube has partnered with Universal Music Group to launch an AI music incubator to protect artists from unauthorized use of their content; Meta has introduced an automated translator that works for multiple languages, but concerns have been raised regarding the impact it may have on individuals who wish to learn multiple languages; major studios are hiring "AI specialists" amidst a writers' strike, potentially leading to a future of automated entertainment that may not meet audience expectations.
Artificial intelligence (AI) is seen as a tool that can inspire and collaborate with human creatives in the movie and TV industry, but concerns remain about copyright and ethical issues, according to Greg Harrison, chief creative officer at MOCEAN. Although AI has potential for visual brainstorming and automation of non-creative tasks, it should be used cautiously and in a way that values human creativity and culture.
The United States Copyright Office has issued a notice of inquiry seeking public comment on copyright and artificial intelligence (AI), specifically on issues related to the content AI produces and how it should be treated when it imitates or mimics human artists.
“A Recent Entrance to Paradise” is a pixelated artwork created by an artificial intelligence called DABUS in 2012. However, its inventor, Stephen Thaler, has been denied copyright for the work by a judge in the US. This decision has sparked a series of legal battles in different countries, as Thaler believes that DABUS, his AI system, is sentient and should be recognized as an inventor. These lawsuits raise important questions about intellectual property and the rights of AI systems. While Thaler's main supporter argues that machine inventions should be protected to encourage social good, Thaler himself sees these cases as a way to raise awareness about the existence of a new species. The debate revolves around whether AI systems can be considered creators and should be granted copyright and patent rights. Some argue that copyright requires human authorship, while others believe that intellectual property rights should be granted regardless of the involvement of a human inventor or author. The outcome of these legal battles could have significant implications for the future of AI-generated content and the definition of authorship.
UK publishers have called on the prime minister to protect authors' intellectual property rights in relation to artificial intelligence systems, as OpenAI argues that authors suing them for using their work to train AI systems have misconceived the scope of US copyright law.
AI is a topic of concern and fascination within the music industry, as musicians and composers grapple with the potential benefits and threats it poses to their work, with tools already available that enable the creation of professional-sounding original compositions, but with debates surrounding the authenticity and copyright of AI-generated music.
Microsoft has assured its commercial customers using AI Copilot services that they are protected against copyright claims if they adhere to safety measures, but personal use of Microsoft's AI services may not be legally covered for copyright infringement.
Microsoft will pay legal damages on behalf of customers using its artificial intelligence products if they are sued for copyright infringement for the output generated by such systems, as long as customers use the built-in "guardrails and content filters" to reduce the likelihood of generating infringing content.
Adobe has joined other companies in committing to safe AI development and has proposed a federal anti-impersonation law that would allow creators to seek damages from individuals using AI to impersonate them or their style for commercial purposes, which would make the impersonator, not the tool's vendor, the target of legal action.
Meta is being sued by authors who claim that their copyrighted works were used without consent to train the company's Llama AI language tool.
Authors, including Michael Chabon, are filing class action lawsuits against Meta and OpenAI, alleging copyright infringement for using their books to train artificial intelligence systems without permission, seeking the destruction of AI systems trained on their works.
Sean Penn criticizes studios' use of artificial intelligence to exploit actors' likenesses and voices, challenging executives to allow the creation of virtual replicas of their own children and see if they find it acceptable.
The rise of easily accessible artificial intelligence is leading to an influx of AI-generated goods, including self-help books, wall art, and coloring books, which can be difficult to distinguish from authentic, human-created products, leading to scam products and potential harm to real artists.
The generative AI boom has led to a "shadow war for data," as AI companies scrape information from the internet without permission, sparking a backlash among content creators and raising concerns about copyright and licensing in the AI world.
The use of AI in the film industry has sparked a labor dispute between actors' union SAG-AFTRA and studios, with concerns being raised about the potential for AI to digitally replicate actors' images without fair compensation, according to British actor Stephen Fry.
High-profile songwriters are meeting with Congressmen to advocate for legislation protecting musicians' copyrights in the face of the rapid rise of artificial intelligence (AI) in the music industry. The industry wants clear legislation that requires permission from copyright holders to use pre-existing songs to train AI for generating new music.
Several fiction writers are suing Open AI, alleging that the company's ChatGPT chatbot is illegally utilizing their copyrighted work to generate copycat texts.
FryxGames CEO defends the use of AI in Terraforming Mars project but announces that the company's next board game will not include AI, highlighting the ethical and copyright concerns of using AI in artwork.
The US Copyright Office has ruled for the third time that AI-generated art cannot be copyrighted, raising questions about whether AI-generated art is categorically excluded from copyright protection or if human creators should be listed as the image's creator. The office's position, which is based on existing copyright doctrine, has been criticized for being unscalable and a potential quagmire, as it fails to consider the creative choices made by AI systems similar to those made by human photographers.
