- Social media creators are exploring the use of generative artificial intelligence (AI) to enhance their personal brands and streamline their work.
- Giselle Ugarte, a popular TikTok creator with nearly 300,000 followers, is testing AI technology to assist with onboarding new clients.
- Ugarte collaborated with Vermont startup Render Media to create a digital likeness of herself for her business.
- She spent a few hours at Render's New York studio, posing for a camera and reading scripts in different moods to capture her likeness.
- The use of AI technology in this way could potentially save creators time and effort in managing their online presence and engaging with clients.
The use of copyrighted works to train generative AI models, such as Meta's LLaMA, is raising concerns about copyright infringement and transparency, with potential legal consequences and a looming "day of reckoning" for the datasets used.
A federal judge ruled that AI-generated art is not eligible for copyright protection in the US due to the absence of human authorship.
Generative AI is starting to impact the animation and visual effects industry, with companies like Base Media exploring its potentials, but concerns about job security and copyright infringement remain.
German artist Mario Klingemann has developed an AI tool called Botto that creates art, which is then voted on by a human community of users, minted as NFTs, and sold on OpenSea, raising questions about what constitutes "real" art and the role of AI in the creative process.
Authors such as Zadie Smith, Stephen King, Rachel Cusk, and Elena Ferrante have discovered that their pirated works were used to train artificial intelligence tools by companies including Meta and Bloomberg, leading to concerns about copyright infringement and control of the technology.
The Alliance of Motion Picture and Television Producers has proposed guidelines for the usage of artificial intelligence (AI) and data transparency in the entertainment industry, stating that AI-created material cannot be considered literary or intellectually protected, and ensuring that credit, rights, and compensation for AI-generated scripts are given to the original human writer or reworker.
Generative AI is enabling the creation of fake books that mimic the writing style of established authors, raising concerns regarding copyright infringement and right of publicity issues, and prompting calls for compensation and consent from authors whose works are used to train AI tools.
Hollywood studios are considering the use of generative AI tools, such as ChatGPT, to assist in screenwriting, but concerns remain regarding copyright protection for works solely created by AI, as they currently are not copyrightable.
A federal judge rejected an inventor's attempt to copyright an artwork generated by artificial intelligence, sparking a broader legal discussion on authorship and intellectual property rights.
Artificial intelligence (AI) poses risks in the legal industry, including ethical dilemmas, reputational damage, and discrimination, according to legal technology experts. Instances of AI-generated content without proper human oversight could compromise the quality of legal representation and raise concerns about professional responsibility. Additionally, the Equal Employment Opportunity Commission (EEOC) recently settled a lawsuit involving discriminatory use of AI in the workplace, highlighting the potential for AI to discriminate. Maintaining trust and credibility is crucial in the reputation-reliant field of law, and disseminating AI-generated content without scrutiny may lead to reputational damage and legal consequences for lawyers or law firms. Other legal cases involving AI include allegations of copyright infringement.
Artificial intelligence (A.I.) may not pose a significant threat to human creativity or intellectual property, as machines still struggle to produce groundbreaking artistic work and are often limited to mimicry rather than true artistic expression.
Revolution Software's use of custom-made AI tools to upscale old pixel artwork for Broken Sword: Shadow of the Templars - Reforged is defended by co-creator Charles Cecil, who believes that AI eliminates repetitive tasks, allowing human artists to unleash their creativity.
A Washington D.C. judge has ruled that AI-generated art should not be awarded copyright protections since no humans played a central role in its creation, establishing a precedent that art should require human authorship; YouTube has partnered with Universal Music Group to launch an AI music incubator to protect artists from unauthorized use of their content; Meta has introduced an automated translator that works for multiple languages, but concerns have been raised regarding the impact it may have on individuals who wish to learn multiple languages; major studios are hiring "AI specialists" amidst a writers' strike, potentially leading to a future of automated entertainment that may not meet audience expectations.
Artificial intelligence (AI) is seen as a tool that can inspire and collaborate with human creatives in the movie and TV industry, but concerns remain about copyright and ethical issues, according to Greg Harrison, chief creative officer at MOCEAN. Although AI has potential for visual brainstorming and automation of non-creative tasks, it should be used cautiously and in a way that values human creativity and culture.
The United States Copyright Office has issued a notice of inquiry seeking public comment on copyright and artificial intelligence (AI), specifically on issues related to the content AI produces and how it should be treated when it imitates or mimics human artists.
“A Recent Entrance to Paradise” is a pixelated artwork created by an artificial intelligence called DABUS in 2012. However, its inventor, Stephen Thaler, has been denied copyright for the work by a judge in the US. This decision has sparked a series of legal battles in different countries, as Thaler believes that DABUS, his AI system, is sentient and should be recognized as an inventor. These lawsuits raise important questions about intellectual property and the rights of AI systems. While Thaler's main supporter argues that machine inventions should be protected to encourage social good, Thaler himself sees these cases as a way to raise awareness about the existence of a new species. The debate revolves around whether AI systems can be considered creators and should be granted copyright and patent rights. Some argue that copyright requires human authorship, while others believe that intellectual property rights should be granted regardless of the involvement of a human inventor or author. The outcome of these legal battles could have significant implications for the future of AI-generated content and the definition of authorship.
Stephen King, a renowned author, defends generative AI by comparing it to the Luddites' resistance to industrial progress, despite the fact that the Luddites were actually protesting against the exploitation of workers through machinery, not progress itself. However, many creatives are concerned about AI's impact on their livelihoods, as it eradicates revenue streams and reduces opportunities for emerging artists, making it crucial to critically examine how the technology is being utilized.
UK publishers have called on the prime minister to protect authors' intellectual property rights in relation to artificial intelligence systems, as OpenAI argues that authors suing them for using their work to train AI systems have misconceived the scope of US copyright law.
AI is a topic of concern and fascination within the music industry, as musicians and composers grapple with the potential benefits and threats it poses to their work, with tools already available that enable the creation of professional-sounding original compositions, but with debates surrounding the authenticity and copyright of AI-generated music.
Artificial intelligence (AI) image generation tools, such as Midjourney and DALL·E 2, have gained popularity for their ability to create photorealistic images, artwork, and sketches with just a few text prompts. Other image generators like DreamStudio, Dream by WOMBO, and Canva offer unique features and styles for generating a wide range of images. However, copyright issues surrounding AI-generated images have led to ongoing lawsuits.
The Colorado State Fair has amended its rules to require artists to disclose if they used artificial intelligence (AI) to create their submissions after controversy arose when an AI-generated artwork won first place in the fair's digital arts competition last year.
AI-generated images in Copy Magazine reveal the uncanny perfection of fashion photography and serve as a warning to break free from repeating past styles, prompting questions about ethics and copyright in AI image generation.
Adobe has joined other companies in committing to safe AI development and has proposed a federal anti-impersonation law that would allow creators to seek damages from individuals using AI to impersonate them or their style for commercial purposes, which would make the impersonator, not the tool's vendor, the target of legal action.
Meta is being sued by authors who claim that their copyrighted works were used without consent to train the company's Llama AI language tool.
Authors, including Michael Chabon, are filing class action lawsuits against Meta and OpenAI, alleging copyright infringement for using their books to train artificial intelligence systems without permission, seeking the destruction of AI systems trained on their works.
The rise of easily accessible artificial intelligence is leading to an influx of AI-generated goods, including self-help books, wall art, and coloring books, which can be difficult to distinguish from authentic, human-created products, leading to scam products and potential harm to real artists.
The use of AI in the film industry has sparked a labor dispute between actors' union SAG-AFTRA and studios, with concerns being raised about the potential for AI to digitally replicate actors' images without fair compensation, according to British actor Stephen Fry.
Two different AI models, developed by the University of Bradford and Art Recognition, have produced conflicting opinions on whether a work known as the de Brécy Tondo is by the hand of Raphael, highlighting the challenges faced by AI in art authentication. While AI is seen as a valuable tool, experts believe that human judgement will always play a crucial role in the authentication of artworks. Additionally, the rise of AI-generated images raises concerns about the effectiveness of AI in identifying forgeries and assisting law enforcement.
Several fiction writers are suing Open AI, alleging that the company's ChatGPT chatbot is illegally utilizing their copyrighted work to generate copycat texts.
The US Copyright Office has ruled for the third time that AI-generated art cannot be copyrighted, raising questions about whether AI-generated art is categorically excluded from copyright protection or if human creators should be listed as the image's creator. The office's position, which is based on existing copyright doctrine, has been criticized for being unscalable and a potential quagmire, as it fails to consider the creative choices made by AI systems similar to those made by human photographers.
